Texts

The recent sculptures arise from a periods of activity that record the extended moment of the binding of ideas and materials.
It is an encounter where one senses the work is in a state of becoming that there is an internal logic forming and the work
forms itself.
Forms, materials and contents are put through processes of transformation and reorganization of their premises. Fragmented
objects, their reconfigured parts, the information of matter and the ‘mattering’ of it, all sign a world in a state of collapse. Using
objects and materials and putting them through relatively simple processes such as cutting, burning and stapling, describes a
degree of expenditure, a mediation of intermittent breakdown on a human scale.
Noah Sherwood
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